Logline: An ailing baseball scout in his twilight
years takes his daughter along for one last recruiting trip.
Cast: Clint
Eastwood, Amy Adams, Justin Timberlake, John Goodman, Matthew Lillard
Directed by: Robert Lorenz
I just got done saying the
other day that I wouldn't have as much time on my hands with school starting
and screenplay reading... and then I go ahead and do a double-header last night
for both Trouble with the Curve and Dredd 3D. I was interested in this
primarily because the trailer had Oscar-bait written all over it.
Review
Oscar-bait?
I really don't think so.
The first thing I have to say
about this movie is the fact that I know the screenplay for it was written 15
years ago and originally had Dustin Hoffman attached. 3 years ago after Gran Torino, a friend of writer Randy
Brown read this old screenplay and sent it to Eastwood's people thinking he'd
be perfect for the role. Lo and behold, here we are in 2012 with a movie on our
hands. You may be thinking cool story man, but why is this relevant? Well, to
be honest, they didn't really change much of that stuff that was written, meaning
most of the movie is filled with clichés that have been done a million times
since the movie was written. Diving into a pond as a romantic "first
kiss" .... Really? The only things they added were a Dr. Phil joke and a
Kardashian one - both in which aren't really funny to the average person. Maybe
I'm bitter. But hey, Gus Lobel the main character is so why can't I be?
The film is actually
powerfully acted though. Amy Adams takes the reins and rides this baseball
flick to the finish line, making every scene look EASY. Clint is pretty good
too, but I expected him to be more gritty than he was. Justin is in rom-com
mode like he was in Friends with Benefits,
and I liked that movie, so - Yeah. All in all the acting carries the emotional
scenes and makes them kind of touching. What falters is the fact that this
story becomes severely predictable. Actually, I read an early draft of the screenplay
for this movie and the peanut boy DOES NOT become the pitcher to make Bo Gentry
strike out numerous times, and even though it didn't happen in the screenplay -
it was soooo obvious it was going to happen in the movie. That's not the only thing that's predictable.
I've been pretty harsh on
this so far. It's not actually THAT bad. It's not Oscar-worthy, although Adams
may get a nomination (at least for a Golden Globe anyways), but it's still
worth a watch because although boring and cliché at times, the movie does have
a pretty solid father/daughter story full of conflict and becomes the main
focus of the story's baseball centric plot.
Topic of the Day
A big pet peeve of mine is
when a story turns its "darkest hour" moment and follows it up with
something that's completely unbelievable, but convenient for the plot. It's
like the writers got sloppy. For instance, in Curve, Mickey (Gus' daughter) walks out of the hotel after losing
touch with her father and the boy she was falling for & hears this sound of
a kid pitching booming fastballs and curves outside of her room. She takes this
kid to Atlanta and has him pitch and he shows the scouts that Bo Gentry isn't
that good to begin with & that the club should have listened to Gus all along. I mean, talk about catching lightening in a jar. Convenience
is something that kills a good story for me.
Consensus
Trouble With the Curve is touted by many critics as
"solid". If you're going by regular definition of solid which is
probably something like: well acted, well paced, good story, good characters, all tightly packed
into a movie with little error - well, I have to disagree. Trouble With the Curve is flawed with clichés, predictable
storytelling, and a weak turning point that leads into its third act. However,
Adams is something special and she alone made me enjoy this movie. I didn't
mind it, definitely not Oscar-worthy, but worth the watch.
6/10
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