Logline:
Five high school students, all different
stereotypes, meet in detention, where they pour their hearts out to each other,
and discover how they have a lot more in common than they thought.
Cast: Emilio
Estevez, Paul Gleason, Molly Ringwald, Ally Sheedy, Judd Nelson, Anthony Michael
Hall
Directed by: John Hughes
Without further ado, another Throwback Thursday. For those who didn't already know, John Hughes was an absolute
legend in the film industry. Planes,
Trains and Automobiles, National
Lampoon's Vaction, Sixteen Candles,
Ferris Buehler's Day Off, Uncle Buck,
Home Alone, and seriously, the list
goes on. I said I was going to start making my Throwback Thursdays more
"throwback-ish" and so far I've chosen a movie from '84 and now '85.
Summary
I really can't describe this
movie any better than the logline. Pretty odd that I can't, but try it yourself and you'll
see.
Review
This is definitely one of the
most weird movies I've ever had to tackle. I'd maybe even say harder than The Tree of Life because I'm without the
reasoning of it not being considered a movie per say. The Breakfast Club's structure really is one-of-a-kind, relying heavily
on charm, dialogue, and reality to push the story forward and keep audience
interested.
Every week I always talk
about how films should always be paced well; How you can't keep the same stakes
all movie expecting to keep an audience interested. There also needs to be
some kind of urgency to make a movie work. The
Breakfast Club takes all of my thoughts on film and throws them out the
window and says the hell with that. The students are to write an essay to
principal Vernon by the end of their 8 hour detention... normally I'd say,
well, who cares if they do? I don't need to point out how low the stakes are,
how weak the urgency is. If they don't complete the essay then they get detention
again, BIG DEAL.
This film isn't really about
telling a story - it's about telling the stories of these students in their own
way, with having the bigger picture and social standards of high school laid
out on the table with nothing to hide. It's about forcing the jock to talk to
the criminal for eight hours, the pretty girl to talk to the geek, the weird
girl who never talks to finally communicate. Imagine these school stereotypes
all thrown together in one room with nowhere to go and nothing to do but write
a simple essay that no one wants to do anyway. It's a pretty sweet concept and
the movie rides it to the finish line while diving into the many problems
teenagers deal with and the standards set by society.
So although The Breakfast Club doesn't follow
standard storytelling, it's so unique and interesting that you can't miss it.
It's very thought provoking and the situations are so true that the movie
becomes quite emotional at times.
Topic of the Day
Having a film mean
something.
Sometimes these films are
exempt from basic storytelling because they're so thought provoking it can keep
the audience's interest that way. In order to do so, a film needs to be filled
with diverse characters with different backgrounds. The relationships, emotions,
and everyday lives of the characters all have to be interesting and they need to drive
the point of the movie forward while making sense of the grand scheme. Not many
movies have ever done this well. If you look at The Breakfast Club, you'll notice that a lot of the same issues that were happening in it still happen today - and this was made in the '80s. Due to the fact that this is such a big topic, the film has plenty to work with and
it drives the point home through playing with the emotions of each character
through different conflicts within the group. This film is the pure harsh
reality of teenage high school life and just by watching it and really thinking
about, you'd become a better teenager. Not many movies can say that. Not many
movies are that deep.
Consensus
The Breakfast Club hardly follows any of my structural knowledge,
but instead maintains the audience's interest through the problematic thought provoking
realities of teenage life. It's also quite comical and, unlike Ghostbusters, is a timely classic -
meaning most of the content in it is still relevant today. This is one of my
favourite movies and I've watched it probably 5-7 times now. Definitely a
classic from one of the most legendary comedy director/writers in the business.
9.5/10
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