Logline: In Manhattan, a bike messenger picks up
an envelope that attracts the interest of a dirty cop, who pursues the cyclist
throughout the city.
Cast:
Joseph Gordon-Levitt, Michael Shannon, Dania Ramirez, Wole Parks
Directed by: David Koepp
For those of you reading that
don't know who David Koepp is, let me fill you in. Becoming a screenwriter in Hollywood is hard. Sell a spec script and you get your name recognized and
enough cash to live comfortably for years. Sell two big ones and you're on to
something. When you've written and sold as much as David Koepp, you're very familiar to how the business works and you know quite a bit about making good films. He also directs too. He's written some really great films such
as: Jurassic Park, Spider-Man, Carlito's Way, Ghost Town, Indiana Jones 4, and I guess you could
throw Panic Room in there too. I was
pretty hyped for this movie. So much so that I went to the theatres to see it.
Summary
Wilee is a bicycle messenger from the streets
of Manhattan. He doesn't have breaks on his bike, he doesn't hesitate, he goes
full speed, and is widely considered by his company the big man on campus. He's
in a bit of a rut with his girlfriend Vanessa, and this guy Manny is kind of a
jerk to him and wants to steal her. But, when Wilee is propositioned to deliver
this one package, a man named Bobby Monday starts chasing him and he has no
idea why - his problems just got a lot bigger. Being a messenger, you can't
just give a package to any random stranger. This is the story of Wilee being
chased by both Bobby and the NYPD for various reasons in hopes of turning this
package in to its rightful recipients.
Review
This film had so much pace I
barely even knew where the time went. It was such a fun and exciting ride I
never once stopped to check how much time might be left. Things were always
happening. Although some may call this formulaic screenwriting, I honestly
believe what Koepp wrote here is almost close to perfect. I've read quite a few
screenplays in my life and I've watched a countless amount of movies - this one
definitely ranks among the top for exploiting every amazing factor a story
should contain. Urgency, stakes, goals, well placed comedic relief, subplots,
action/taking a minute to breathe, all perfectly paced.
The only criticism I could
possibly place on this film was the lack of character depth. Wilee is a cyclist
who chooses not to write his BAR exam. He is on the rocks with Vanessa. Vanessa
isn't really explored but she loves Wilee still. Manny is just a jerk. Very
simple, but I felt, honestly, that the pacing of the plot would have suffered if the characters were explored any more than they were. I felt like it was a
good sacrifice in the grand scheme of things. Rarely ever do I bring up
sacrificing character depth as positive reinforcement, but in this type of
movie it's somewhat excusable. It's a chase movie with unique characters that
we do care about even though we don't know them that well. If it was
filmed any other way, I feel like it wouldn't have worked. 1h and 30mins is the
perfect runtime for this film.
My rating may or may not be
surprising due to the lack of attention this film is getting, but it's honestly how I felt and I'll stand by my decision wholeheartedly.
Topic of the Day
Adding a twist to urgency.
Normally when writers begin
to brainstorm ideas on how to make their characters not float around on screen with
all the time in the world to complete their goals, they start with the notion
that their main character needs to complete their goal "or else".
This is just something I've picked up in a lot of movies this summer. The
Avengers need to find Loki and disarm his device that brings his army to Earth,
Batman needs to disarm the bomb or else Gotham will be blown up. Premium Rush adds a twist on the subject
because the urgency comes from the fact that Wilee is being chased. His goals
are simple, and the stakes are constantly raising as he keeps discovering more
and more about this package he's carrying, and the urgency is always there
because Bobby and the NYPD are always right on his tail. If he stops to take a break, he's caught and the package doesn't get delivered which means he doesn't get paid.
It is important to note that
too much urgency can exhaust the audience. This film takes breathers and raises
the stakes by showing us the background behind the package. I really did feel
like this was done perfectly. Jumping forward in time always leaves an audience with the
notion of "well, what happened to the characters in the time we didn't see
them?" and it's quite hard to invest in characters when you're without
them for big chunks of their story. The story of this package is told through
time reversal, so we never really miss anything in our character's stories; we
actually end up learning more. The problem with time reversal is that taking step backs
can frustrate the momentum of the story. However, this film is so action packed
that taking a break in momentum isn't such a bad thing; it's actually kind of
nice.
Consensus
Premium Rush was only released in limited theatres and was pretty acclaimed by the critics
that did end up seeing it. I am taking a leap and will say that this is
probably the most underrated movie of the summer, even though it's been
received quite well. I enjoyed almost every single aspect of this film and I
believe it gave me everything it could possibly offer. For the type
of film it is, I truly believe it hasn't been talked about enough. This one
won't be given the title of "classic" by many people, but I can
honestly say I watched this without finding many flaws and it kept my full
attention for its entirety - so it's very close to being on that type of scale in my books.
8.9/10
No comments:
Post a Comment